Unlike the sheen on Cinder’s hair, these instances can more safely be presumed as having been done by the VFX team or Compositing department. Water ripples are more visible and small splashes have appeared for the first time. However, this chapter made rain felt more “defined” so-to-speak. Since then, interactions between the character and environment models and rain have varied slightly such as ripples being faintly seen on raindrops and footsteps.
#Rwby volume 6 episode 7 software
Whether or not this is due to technical limitations or creative choices (or lack thereof), rainy weather started to occasionally be in the show since volume 4 when CRWBY primarily used the Autodesk Maya software as their animation tool.
Could it be something similar to how the process for this bit in episode 7 of season 1 of RWBY Chibi was done or something different is honestly hard to say. It’s very fascinating because of how unclear it is as to whether this has anything to do with a new simulation in some plug-in tool or if it’s a small effect done in post-production or something else done together. The first thing to note is the sheen on Cinder’s hair. We can start with one part of Cinder’s scene in the beginning: effects related to water and rain. For the chapter that follows, aspects of the production have been applied to arguably just as great of a effect but for different reasons due to the admittedly heavy story beats provided. A lot of notes and criticisms (some more helpful than others) were taken to heart by Kerry Shawcross, Miles Luna and the rest of the production staff and to great effect through a combination of action scenes and comedic character acting. It’s very safe to say that between the last production analysis post and every other response and feedback from the fan base in every corner of the internet, the volume 6 RWBY premiere started on an overwhelmingly high note. 2018 RWBY - Volume 6, Chapter 2 Production Analysis
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